Fall 2019

Introductory workshop in writing poetry, short fiction and nonfiction for love of the written and spoken word. Not for English major credit. Not for English major or English (Creative Writing) major credit.

Cultural images of disorder and chaos, and of the search for order and reason, from the eighteenth century to the present.(Duplicates credit in ARLT 101g)

Introduction to the pleasures and power of poetry, exploring elements drawn from high-points of English poetry, and the lives and works of major poets. (Duplicates credit in ARLT 101g)

An exploration of the culture, vibrance, heritage, mythology, variety, and pathology of a city that was born in hopes and captured the worlds imagination. Duplicates credit in ARLT 101g.

Close study of Shakespeare's plays and poems to introduce his language, stagecraft, literary "genius," social and literary contexts, precursors and rivals, and legacy.

Intensive reading of major writers to 1800.

Intensive reading of major writers, 18001950.

Intensive reading of representative writers.

Study of literary modes of narrative and their uses in medical understanding, character formation, social identity, and relations between mind and body.

An introduction to the close reading of fiction and the understanding of the genre as an aesthetic and historical phenomenon.

Intensive practice intended to develop a high level of competence in writing expository prose.

Introduction to the techniques and practice of writing narrative in fiction and literary non-fiction

Introduction to the techniques and practice of writing prose fiction.

Introduction to the techniques and practice of writing poetry.

Introduction to the techniques and practice of lyric essay, memoir, personal narrative, and scientific, medical, nature, culinary and travel writing.

Practical course in relations between editing and the creative process in fiction, poetry, and exposition

Questions of gay and lesbian identity, expression and experience in a variety of literary and cultural forms; emphasis on sexual politics, equality and difference.

Literary travel using novels to explore regional culture and unify the study of literature, history, geography, politics and social studies.

Examination of legal problems and concepts in English and American literature. Recommended preparation: CORE-102 or ARLT-100; WRIT-140.

Study of prose written in English since 1945, principally fiction of the past two decades.

Study of poetry written in English since 1945, with special emphasis on the last two decades.

Selected British, Irish, and American drama from the post World War II period (1945 to the present).

An examination of how literature and related arts intersect in a particular cultural milieu. Selected topics.

Introduction to issues in visual and popular culture, focused on critical and historical interpretation of words and images in comic books and graphic novels.

Course in the theory and practices of "popular culture," highlighting modern and comtemporary culture, film, video and popular music, as well as narrative forms.

Intermediate practical workshop concentrating on the creation of narrative in fiction and literary nonfiction.

A practical course in composition of prose fiction.

A practical course in poetry writing.

Selected studies of prose and poetry in the age of Bacon, Donne, Jonson, Herbert, Browne, Marvell, and Milton.

Studies in English literary modernism, including the prose of Conrad, Joyce, and Woolf, and the poetry of Pound, Eliot, Yeats, and Auden.

Major history plays, comedies, and tragedies.

American poetry and prose to the Civil War with special attention to Irving, Cooper, Poe, Hawthorne, Emerson, Thoreau, Melville, and Whitman.

American poetry, fiction, and drama since World War I with special attention to Eliot, Frost, Hemingway, Fitzgerald, O'Neill, Stevens, Faulkner, and Nabokov.

Development of the novel in African-American literature beginning with the anti-slavery fiction of William W. Brown and his pre-Emancipation contemporaries and concluding with the emerging novelists of the late Sixties.

Examination of the modern realist novel with special focus on the representation of social change (revolution, class conflict, sexual politics).

Individual research and readings. Not available for graduate credit.

Selected problems in literary history and criticism.

Individual research, reading, writing and project development as a senior capstone experience in the study of narrative.

Studies in the works of one or more authors, or in the development of a theme or genre.

The assumptions and practices of major theorists and theoretical schools from Plato to literary modernism.

Studies in poetry and patronage, the popular tradition in literature and drama, the social and sexual dynamics of comedy, historical and cultural uses of genres, among other topics.

Studies in the Romantics and Victorians, gender and genre, the new woman and the novel, authorship and the marketplace, science, imperialism, the crisis of narrative, and other topics.

Studies in canonic and non-canonic literature in the American Renaissance, cultural nationalism, the consequences of race, immigration, expansion, urbanization, science, and marketplace, and other topics.

Research leading to the Master's Degree. Maximum units which may be applied to the degree to be determined by the department. Graded CR/NC.

Practical principles for development of effective teaching within the disciplines of English, Creative Writing, and Narrative Studies. Intended for teaching assistants in English.

Studies in Empire and Commonwealth literatures, post-colonialism, American hemispheric connections, African-American discourse, Asian American writers, dialects and the folk, and other topics.

Part-time or full-time practical work experience in the student's field of study. The internship must be located at an off-campus facility. Students are individually supervised by faculty. May not be taken until the student has completed at least on semester of enrollment in the graduate program.

Development of academic strategies for preparing articles for publication in scholarly journals. Aspects of publication will include abstracts, introductions, argumentation, style and footnotes.

Comprehensive introduction to the MA degree and its range of study, focusing on elements of the craft of editing and the literary marketplace.

An intensive workshop in applied English, coordinating literary analysis with editing and publication, including relationships with authors; academic and trade presses; journals; editing, and design.

Topics on literary and popular forms: profile portrait; science writing; food writing; place and travel; memoir; and personal essay; with venues for publication.

Practical experience in the publishing world for acquiring skills and knowledge beyond the classroom.

Explores the way film has been theorized in relationship to traditional media that preceded it and electronic media that followed.

Study of conventional and experimental works of creative nonfiction, from memoir to poetry, criticism and scholarship, focusing on issues of form, ethics, style and audience.

Intensive practicum in advanced level fiction writing, intended to develop high level creative compositional ability. Open only to Creative Writing PhD degree candidates.

Seminar. Studies in poetry form and function or critical theory.

This two-credit course helps ABD students craft their professional identities and placement materials as they make the transition from graduate school to their academic position. Graded CR/NC. Not available for degree credit.

Research leading to the doctorate. Maximum units which may be applied to the degree to be determined by the department. Graded CR/NC.

Credit on acceptance of dissertation.

Credit on acceptance of Dissertation. GRADED CR/NC.

Credit on acceptance of Dissertation. Graded CR/NC.

Credit on acceptance of Dissertation. Graded CR/NC.

Credit upon acceptance of Dissertation. Graded CR/NC.