Fall 2017

Introductory workshop in writing poetry, short fiction and nonfiction for love of the written and spoken word. Not for English major credit. Not for English major or English (Creative Writing) major credit.

Introduction to the pleasures and power of poetry, exploring elements drawn from high-points of English poetry, and the lives and works of major poets. (Duplicates credit in ARLT 101g)

An exploration of the culture, vibrance, heritage, mythology, variety, and pathology of a city that was born in hopes and captured the worlds imagination. Duplicates credit in ARLT 101g.

Intensive reading of major writers to 1800.

Intensive reading of major writers, 18001950.

Intensive reading of representative writers.

Examines history of popular cultural forms such as literature, music, dance, theater, and visual arts produced by and about African Americans.

An introduction to the close reading of fiction and the understanding of the genre as an aesthetic and historical phenomenon.

Introduction to the techniques and practice of writing narrative in fiction and literary non-fiction

Introduction to the techniques and practice of writing prose fiction.

Introduction to the techniques and practice of writing poetry.

Introduction to the techniques and practice of lyric essay, memoir, personal narrative, and scientific, medical, nature, culinary and travel writing.

Practical course in relations between editing and the creative process in fiction, poetry, and exposition

Women as writers and as subjects, with special emphasis on feminist and liberationist traditions and on changing female images after 1800.

Questions of gay and lesbian identity, expression and experience in a variety of literary and cultural forms; emphasis on sexual politics, equality and difference.

Study of prose written in English since 1945, principally fiction of the past two decades.

Study of poetry written in English since 1945, with special emphasis on the last two decades.

Selected British, Irish, and American drama from the post World War II period (1945 to the present).

Theoretical and applied studies of literature in English as social activity and cultural production; its expression of, and influence upon, social values, concepts, and behavior.

Investigation of the scope and possibilities of British and American science fiction as a genre, with some attention to its historical development.

Critical approaches to narrative form in literature and film; readings and films from several genres and periods, emphasis on gender, ethnic, and cultural studies.

Supervised, individual studies. No more than one registration permitted. Enrollment by petition only.

A practical course in composition of prose fiction.

A practical course in poetry writing.

Prerequisite: English 405 and/or consent of instructor.

Selected studies of major writers, including Blake, Austen, Wordsworth, Coleridge, Byron, Mary Shelley, P.B. Shelley, and Keats.

Studies in English literary modernism, including the prose of Conrad, Joyce, and Woolf, and the poetry of Pound, Eliot, Yeats, and Auden.

Major history plays, comedies, and tragedies.

American poetry and prose to the Civil War with special attention to Irving, Cooper, Poe, Hawthorne, Emerson, Thoreau, Melville, and Whitman.

American poetry, fiction, and drama since World War I with special attention to Eliot, Frost, Hemingway, Fitzgerald, O'Neill, Stevens, Faulkner, and Nabokov.

Development of the novel in African-American literature beginning with the anti-slavery fiction of William W. Brown and his pre-Emancipation contemporaries and concluding with the emerging novelists of the late Sixties.

Survey of Asian American literature from the earliest time to the present; development of prose, poetry, and novel.

Representative plays, especially those of the Elizabethan, Jacobean, and Restoration periods.

Theory and practice of fiction in works of writers such as Defoe, Richardson, Fielding, Sterne, Burney, and Smollett.

Theory and practice of fiction in works of major writers such as Austen, Dickens, Thackeray, George Eliot, Meredith, and Hardy.

Women as writers and as subjects, with special emphasis on feminist and liberationist traditions and on changing female images after 1800.

Questions of gay and lesbian identity, expression and experience in a variety of literary and cultural forms; emphasis on sexual politics, equality and difference.

Individual research and readings. Not available for graduate credit.

Selected problems in literary history and criticism.

Individual research, reading, writing and project development as a senior capstone experience in the study of narrative.

The assumptions and practices of major theorists and theoretical schools from Plato to literary modernism.

Investigations of chivalry and romance, allegory, drama, popular literature in the Middle Ages, the reception of medieval literature, and other topics.

Research leading to the Master's Degree. Maximum units which may be applied to the degree to be determined by the department. Graded CR/NC.

Practical principles for the long-term development of effective teaching within college disciplines. Intended for teaching assistants in Dornsife College.

Comprehensive introduction to the MA degree and its range of study, focusing on elements of the craft of editing and the literary marketplace.

Studies in meaning and meaning-making, form, comparative theory, theories of history and culture, theory in the classroom, and other topics.

History and ideology of gender studies, feminist theory, gay and lesbian discourse, and other studies in feminisms and masculinities in relation to literature.

History, transformation, and theory of genre; studies in epic, lyric, drama, comedy, tragedy, the novel, biography, essay, and other forms.

Intensive practicum in advanced level fiction writing, intended to develop high level creative compositional ability. Open only to Creative Writing PhD degree candidates.

Seminar. Studies in poetry form and function or critical theory.

A structured environment in which to craft a research project, write a dissertation prospectus, and define areas of professional expertise. Graded CR/NC. Recommended preparation: passage of screening exam. Not available for degree credit.

This two-credit course helps ABD students craft their professional identities and placement materials as they make the transition from graduate school to their academic position. Graded CR/NC. Not available for degree credit.

Research leading to the doctorate. Maximum units which may be applied to the degree to be determined by the department. Graded CR/NC.

Credit on acceptance of dissertation.

Credit on acceptance of Dissertation. GRADED CR/NC.

Credit on acceptance of Dissertation. Graded CR/NC.

Credit on acceptance of Dissertation. Graded CR/NC.

Credit upon acceptance of Dissertation. Graded CR/NC.